Toni
Morrison’s 1987 novel Beloved recounts
the true story of escaped slave Margaret Garner, who slit her baby daughter’s
throat to save her from being recaptured into slavery. The main character in Beloved, Sethe, does the same, and is
subsequently haunted by her murdered child’s spirit.
There
are two main settings in Beloved: 124
Bluestone Rd. is the house on the outskirts of Cincinnati, Ohio where Sethe
escapes to; the other is Sweet Home, Kentucky, which is the plantation where
she was a slave. These locations practically serve as characters in the novel,
as they are continually personified, from the first line of the book: “124 was
spiteful”(9). Each section begins this way, the second with, “124 was
loud”(195), and the third with,“124 was quiet”(275). These moments serve as
markers for the progression of the story, as well as the characters. This
house, teeming with the spirits, leaves the place and its inhabitants in
torment: it causes disturbances and overtakes the consciences of whoever
enters. When her daughter Denver begs her to leave, Sethe says, “I got a tree
on my back and a haint in my house…but…I will never run from another thing on
this earth”(23). Is it that she really doesn’t want to move again, or that she
fears being without the spirit, there to make sure she doesn’t forget her lost
child?
While
124 Bluestone Rd. is described as the haunted house, Sweet Home is described in
more pleasant terms than one would expect: “although there was not a leaf on
that farm that did not make her want to scream, it rolled itself out before her
in shameless beauty. It never looked as terrible as it was and it made her
wonder if hell was a pretty place too” (13). Sethe’s marriage as a slave to her
husband Halle she considers a blessing, one which she “could lean on, as though
Sweet Home really was one” (33). It is odd—the picture Sethe paints of Sweet Home
does not at first seem so awful. However, Sethe kills her own baby to keep her
from going back there. It is this juxtaposition of the appearance with the
reality that reveals a new facet of truth to this world. We as readers never
anticipate that beneath “the most beautiful sycamores in the world” Sethe would
get gang raped and whipped so badly with a cowhide she can no longer feel her
back. For a moment we were under the illusion that perhaps things would be okay
here, which makes Sethe’s nightmarish revelations all the more shocking,
terrible and wrong.
The
characters of Mr. and Mrs. Garner represent a similar disparity. Mr. Garner
boasts that "'at Sweet Home, my niggers is men every one of em. Bought em
thataway, raised em thataway. Men every one'"(18). He is proud of them, and allowed them “to buy a mother, choose a horse or a wife,
handle guns, even learn reading if they wanted to” (125). However, beneath that
surface, just like beneath the façade of Sweet Home’s beauty, the Garners were
still slave owners. As Halle points out, he did let him buy his mother, but "she
worked [t]here for ten years. If she worked another ten you think she would've
made it out? I pay him or her last years and in return he got you, me and three
more coming up"(226).
These places, and the
characters that occupy them, serve as a startlingly discrepant setting that in
the end shows that—of this culture of which so many pictures have been painted—perhaps
we will never know the truth.
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