Katie Yook
Truman Capote illustrates his characters so vividly that I
almost feel like I know them personally.
At the beginning of Breakfast At
Tiffany’s, Capote gives us background knowledge about the characters he
introduces. However, instead of
giving us a superficial biography, he reveals deeper, frank qualities of each
person. For example, the first
time he mentions Joe Bell, he describes him: “Joe Bell hasn’t an easy nature… because he’s a bachelor and
has a sour stomach.” This kind of
introduction would never happen in real life unless the person is extremely
blunt, open, and honest, which I believe people should be more of. I prefer these qualities to hollow
small talk.
The character of Holly is unusual and quirky, yet also
charming. This makes me curious to
learn about her more, and Capote successfully keeps me interested by revealing
small aspects of Holly’s personal life.
I at once admire and sympathize for her, because underneath her
confident, carefree façade is a sad, lonely girl. Holly’s character is of someone you cannot truly understand,
relate to, or know, yet we are so intrigued by her. I think we all know people like this. Holly is a great portrayal of this type
of person, which is why she will last as a prominent cultural icon.
The narrator in the story reveals so much about himself in
his thoughts. Through his interactions with Holly, I am able to understand
Holly in contrast to the man’s personality. He is grounded, self-controlled, and a good listener. Holly on the other hand is ephemeral,
naïve, and whimsical.
Capote’s language is direct and almost overly
descriptive. He gives us very
subtle, minute details. He
describes the wall’s color as ‘tobacco spit.’ Also, I think it is really difficult to create dialogue that
seems authentic because the author is only one person who is fabricating a
conversation between multiple people.
However, not only do the conversations between the characters in his
works seem very realistic, the varying the structure of the dialogue makes the
dialogue less monotonous and forced, and more natural, like a real
conversation. This is something I would
like to improve in my work.
I couldn’t help but be reminded of Amy’s piece that we
workshopped on Thursday (Breaking Point). The plot has similar aspects and the
narrator of her story reminds me a lot of Holly Golightly. I feel like Amy’s piece could be Breakfast at Tiffany’s from Holly’s
point of view.
In House of Flowers, we
recognize Capote’s witty, charming and blunt language. However, in this story, I felt that I
didn’t understand the characters and the ending was abrupt.
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