Tonight I attended the launch of
the Spring 2013 issue of American Poet,
the journal of the Academy of American poets. It was held at Housing Works on
Crosby Street, a very cute, cozy, and woody bookstore/café with curving
stairwells. Three poets read
several of their own poems--- Sophie Cabot Black, Cynthia Cruz, and Rachel
Eliza Griffiths.
Sophie Cabot Black was first. I’m
not really sure what her poetry was about. She said she wrote about 3 topics,
“love, loss, and the world of finance,” but she just didn’t grab my full
attention. She had a slow, soothing voice, and I accidentally fell asleep for
40 seconds.
Next was Cynthia Cruz. Her works
had a distinct American theme. She mentions ‘American’ drugs a lot like Adderall
and Perkocets, the mall, Dolly Madison, and strawberry milkshakes. I also
enjoyed her frequent use of rhyme and alliteration. That paired with her
childish voice made her poems sound very whimsical.
Rachel Eliza Griffiths read last. I
was particularly interested in hearing her work because she is also an artist
and her photo is the cover of the journal’s issue (http://www.housingworks.org/i/event/AmPo_Cover_Large.jpg).
However, apart from this fact, I was really intrigued by her reading and immediately
became alert and engaged. There was something about her sultry voice, the way
her body moved to the accented words and her emotionally expressive face. Though her body was expressive, she
spoke with a very mechanical rhythm. Each line seemed to have the same spacing
and syllabus emphasis. It sounded like a recording/robot. But she had a really
wide pitch. It went from high to low, strong to soft. She often repeated
certain phrases and had a lot of alliteration. Her subject matter also seemed
to cut deep into the human soul.
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